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Embossing
Bacon, M. A. Winged Thoughts. London: Longman & Co., 1851.
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Chapman, John K., ed. The Court Theatre and Royal Dramatic Record. London: Chapman and Company, ca.1849.
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The next four bindings are good examples of the sculpted look, made possible by the invention of large, very powerful hydraulic embossing presses. These patterns were often highlighted by extensive use of gold and colors.
Bloomfield, Robert. The Works of Robert Bloomfield. London: Routledge, Warne, & Routledge, 1864.
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March, Daniel. Our Fathers House, or the Unwritten Word. Philadelphia: Zeigler, McCurdy & Co., 1870.
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Milton, John. The Poetical Works of John Milton. London: George Routledge and Sons, ca.1880.
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Oeser, Christian. Briefe an eine Jungfrau über die Hauptgegenstände der Aesthetik. Leipzig: F. Brandstetter, 1892. Red cloth deeply embossed, blocked in gold, black, and blind on front, gold on spine, and in blind on back, with beveled boards. |
Balzac. Droll Stories Collected from the Abbeys of Touraine. London: William Mitchell and Company, ca.1880.
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On exhibit through September 30, 2000, Rare Book Room, fourth floor, University of North
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