Series 2: Compositions (Other Composers)
Box |
Call Number |
Composer |
Title
|
Instrument |
|---|---|---|---|---|
| 13 | M-3 | Aperghis, George | Simata: pour piano ou clavecin pre pare | For piano |
| 13 | M-4 | Ashley, Robert | Detail for two pianists | For 2 pianos |
| 13 | M-5 | Ashley, Robert | Maneuvers for small hands | |
| 13 | M-6 | Ashley, Robert | Quartet | For any number of wind or string instruments |
| 13 | M-7 | Ashley, Robert | The Wolfman | For voice and tape |
| 13 | M-8 | Battista, Frank L | Six Events for 58 players | |
| 13 | Beaty, Dan | dhghemya in memoriam Merrill Ellis | For multimedia: slides and tapes | |
| 13 | Behrman, David | Players with circuits | For 3-4 performers, oscillator, pre-amp | |
| 13 | M-9 | Biel, Michael V. | The Plain Near S'Cairn | For 5 or more bowed instruments |
| 13 | M-10 | Bielawa, Herbert | A Dickinson Album | For choir, piano, guitar, troubadour, and tape |
| 13 | M-11 | Bielawa, Herbert | Eight Antiphons | For voices, a cappella |
| 13 | M-12 | Bon, Maarten | Let's Go Out for a Drive (and Pollute the Air) | Improvisation for a trombonist and 3 pianists |
| 13 | M-13 | Boone, Charles | Songs of Suchness | For soprano, piccolo, viola, celesta, and piano |
| 13 | M-15a | Brown, Earle | Hodograph I | For flute and piano |
| 13 | M-16 | Budd, Harold | Butterfly Sunday | For voice and harp |
| 13 | M-18 | Budd, Harold | New Work #3 | For clarinet and piano |
| 13 | M-19 | Budd, Harold | Rosetti Noise | For voice and piano |
| 13 | M-20 | Budd, Harold | The Edge of August | For alto flute and piano |
| 13 | M-22 | Budd, Harold | III | For double ensemble |
| 13 | M-23 | Burge, David | A Song of Sixpence: I | For soprano and piano |
| 13 | M-29 | Cafaro, Sergio | Figure | For piano |
| 13 | Capdenet, Philippe | Batteries | ||
| 14 | M-63 | Cardew, Cornelius | Octet '61 for Jasper Johns | |
| 14 | M-64 | Cardew, Cornelius. | Solo with accompaniment | |
| 14 | M-65 | Castaldi, Paolo | Definzione Di 'Grid | For piano |
| 14 | Chabade, Joel | Echoes | For percussion and electronics | |
| 14 | M-66 | Chabade, Joel | Prelude to Naples | For flute, clarinet, piano, cello, and conductor |
| 14 | M-73 | Childs, Barney | Mr. T. His Fancy | For double bass solo |
| 14 | Childs, Barney | Roachville Project | For 4-10 performers | |
| 14 | M-75 | Childs, Barney | Six Events for Fifty-eight players | |
| 14 | Childs, Barney | Take 5 | ||
| 14 | Christou, Jani | Epicycle | ||
| 14 | Cordero, Roque | Soliloquios | For flute | |
| 14 | M-76 | Croley, Randell | Mies Structure no. 3 | For trombone |
| 14 | M-77 | Curran, Alvin | His Crystal Flag | For mixed chorus, and organ, with amplification |
| 14 | M-78 | Curran, Alvin | His Crystal Flag | For mixed chorus, and organ, with amplification |
| 14 | M-79 | Curran, Alvin | Home made | For flute, soprano, double bass, and percussion |
| 14 | M-80 | Curran, Alvin | Home made | For flute, soprano, double bass, and percussion |
| 14 | M-83 | Curran, Alvin | Quilt | For double bass solo |
| 14 | M-84 | Davidovsky, Mario | Synchronisms | For flute and electronics |
| 14 | Dinwiddie, John | Winters | For 2 performers, 3 monitors, 4 projectionists | |
| 14 | Duke, John | Six Songs on Poems by Emily Bronte | For medium voice and piano | |
| 15 | M-85.5 | Evans, Stan | Canticle 2 | For 2 pianos |
| 15 | M-86 | Ferrari, Luc | Societe II | For 4 soloists and 16 instrumentalists |
| 15 | M-88 | Foss, Lukas | Ni Bruit Ni Vitesse | For piano keys and piano strings |
| 15 | M-94 | Gaber, Harley | Ludus Primis: Foreplay | For 2 flutes and vibraphone |
| M-95 | Gaber, Harley | Voce II | For female voice, alto flute, and percussion | |
| 15 | Geissler, Fred | The Labyrinth | ||
| 15 | M-96 | Ghent, Emmanuel | Hex: an ellipsis | For trumpet with flute,
clarinet, oboe, bassoon, contra bassoon, 4 violins, 2 violas, double bass and tapes |
| 15 | M-97 | Glass, Philip | For Jon Gibson | For amplified soprano saxophone |
| 15 | M-98 | Glass, Philip | How now | For piano |
| 15 | M-99 | Glass, Philip | Strung Out | For amplified violin |
| 15 | M-100 | Heider, Werner | Musik im Distant | For soprano recorder,
percussion, harpsichord; or piccolo, piano and percussion |
| 15 | Hestand, Larry | Sonata | For oboe, bassoon and piano | |
| 15 | Hovhaness, Alan | FIRDAUSI, op. 252 | For clarinet, percussion and harp | |
| 15 | Ichiyanagi, Toshi | Music for piano no. 4, for David Tudor | For Piano | |
| 15 | Kramer, Jonathan D. | Blue Music | For jazz actor, tape, and light | |
| 15 | Kramer, Jonathan D. | You Too, Can Be A Composer
And Maybe Even Have a Piece Published in Source Magazine |
For Music Theory Class and Teacher | |
| 15 | Labbe, Adolph L. | Oscillation | For orchestra | |
| 15 | M-115 | Lavista, Mario | Trio | For 2 string instruments and ring modulator |
| 16 | Lentz, Daniel | Missa Umbrarum | For mixed choir, 8 voices, solo
male performer, and 263 shadows |
|
| 16 | Lott, Lloyd | Enigma Rhapsody | For orchestra | |
| 16 | MacDowell, Edward | Three pieces | Arranged for clarinet and piano | |
| 16 | Maros, Rudolf | Gemma | For orchestra | |
| 16 | Maros, Rudolf | Monumentum | For orchestra | |
| 16 | Martin, Vernon | Simultaneity | For piano and tape | |
| 16 | M-122 | Mathew, David | 6 for 27 | For orchestra |
| 16 | M-125 | Mellnas, Arne | Fixations | For organ |
| 16 | Mizelle, Dary John | PI / Grace | For percussion | |
| 16 | M-126 | Mizelle, Dary John | Wave Forms | For orchestra |
| 16 | Mumma, Gordon | Four Sound Environments for Modern Dance | ||
| 16 | M-125* | Odegaard, Peter S. | 5 Pieces for two quintets | For flute, oboe, clarinet,
bassoon, horn, 2 violins, viola, cello, and double bass |
| 16 | Orrega-Salas, Juan | Garden songs | For soprano, flute, viola, and harp | |
| 16 | M-127 | Paul, Berthold | Klavierstuck 68 | For piano |
| 16 | M-128 | Peterson, Wayne | His whist: from Chanson Innocents by e.e. Cummings |
For choir |
| 16 | M-129 | Phetteplace, Jon | Displacements | For 3 players, with instructions |
| 16 | M-130 | Phetteplace, Jon | Displacements | For 3 players, score; I.
violoncello, microphone; II. Microphone, violoncello; III. Photocell-divider and amplifiers |
| 16 | M-132 | Quintanar, H. | Trio | For violin, viola, and violoncello |
| 16 | M-134 | Reck, David | 3 Readings from e.e. Cummings | For reader, 3 percussionists and friend |
| 17 | M-135 | Reich, Steve | Piano Phase | For 2 pianos |
| 17 | M-137 | Reich, Steve | Three Pieces | For trumpet, alto saxophone, piano, bass, and drums |
| 17 | M-138 | Reid, Ross | 3 Ethnic Songs | For voice and piano |
| 17 | M-139 | Renosto, Paolo | Ar-loth | For oboe, corno inglese, musette e oboe d'amore |
| 17 | M-140 | Renosto, Paolo | Per Marisa T, Pianista | For piano |
| 17 | Revueltas, Silvestre | REDES | For small orchestra | |
| 17 | M-144 | Ruzicka, Peter | Ausgeweidet die Zeit … Drei Nachstucke | For piano |
| 17 | M-145 | Rzewski, Frederic | Composition for Two Players | Any means of sound production may be employed |
| 17 | M-146 | Rzewski, Frederic | Piece with Projectors and Photocell Mixer | For 1 performer |
| 17 | M-147 | Rzewski, Frederic | Speculum Dianae | For 2 groups, each of 4 individuals |
| 17 | M-148 | Rzewski, Frederic | Speculum Dianae | For 2 groups, each of 4 individuals |
| 17 | M-149 | Rzewski, Frederic | Speculum Dianae | For 2 groups, each of 4 individuals |
| 17 | M-150 | Rzewski, Frederic | Speculum Dianae | For 2 groups, each of 4 individuals |
| 17 | Schafer, R. Murray | Epitaph for Moonlight | For youth choir with optional
bells (glockenspiel, metalophones, vibraphones, triangles, small bells) |
|
| 17 | Schwartz, Elliott | Echo Music II | For flute, oboe, Bb clarinet,
bassoon, and electronic tape |
|
| 17 | Schwartz, Elliott | Eclipse III | For chamber orchestra | |
| 17 | Sessions, Roger | Rhapsody | For orchestra | |
| 18 | M-183 | Sciarrino, Salvatore | Da Un Divertimento | For flute, oboe, clarinet,
bassoon, horn, 2 violins, viola, violoncello, and double bass |
| 18 | M-184 | Shapiro, Gerald | Serenade II | For 3 groups of instruments: 3
tape recorders, 2 amplitude modulators, 2 sound generators |
| 18 | M-185 | Shinohara, Makato | Tendance | For piano |
| 18 | M-186 | Shinohara, Makato | Relations | For a flutist and a pianist |
| 18 | M-187 | Shinohara, Makato | Consonance | For flute, horn, vibraphone, marimba, harp, and cello |
| 18 | M-188 | Shinohara, Makato | Consonance | For flute, horn, vibraphone, marimba, harp, and cello |
| 18 | M-189 | Shinohara, Makato | Alterance | For percussion |
| 18 | Skapski, Georgius S. | Panot | ||
| 18 | Sondheim, Alan | P press | ||
| 18 | M-191 | Stalvey, Dorrance | Episodes | For piano |
| 18 | M-193 | Stockhausen, Karlheinz | Adieu | For flute, oboe, clarinet, horn, and bassoon |
| 18 | M-196 | Szathmary, Zsigmond | Alpha | For chamber ensemble: flute,
clarinet, trombone, piano, violin, viola and 'cello |
| 18 | Telemann, Georg Philipp | 12 Fantasias | For viola | |
| 19 | M-200 | Thomas, Carter | Gallery Piece | For 10 to 30 instruments, voices, or both |
| 19 | M-201 | Thomas, Carter | Hymn of Man | For chorus (SATB), percussion (6
players), harp, and strings |
| 19 | M-202 | Thomas, Carter | Instant Cash | |
| 19 | M-203 | Thomas, Carter | Shallow Pity | For bass and vibraphone |
| 19 | M-204 | Thomas, Carter | To Dawn | For 4 percussionists |
| 19 | Thomson, Virgil | Lord Byron | Opera in three acts | |
| 19 | Toch, Ernst | Geographical Fugue | For speaking Chorus | |
| 19 | M-205 | Vlad, Roman | Improvisazione su di una Melodia | For clarinet and piano |
| 19 | M-206 | Walker, Don | Bird Lives!!!! | For percussion |
| 19 | M-207 | Walker, Don | Fifth Piano Sonata | For piano |
| 19 | M-208 | Walker, Don | W. 63 | For 4 percussionists |
| 19 | M-209 | Wills, Sally | Democratic National Convention | For choir |
| 19 | Winsor, Phil | Coronation | For 4 amplified trumpets | |
| 19 | M-210 | Winsor, Phil | Melted Ears | For 2 pianos |
| 19 | M-211 | Winsor, Phil | Orgel | For pipe organ and tape |
| 19 | M-212 | Winsor, Phil | Quartet | For piano, percussion |
| 19 | Wolff, Christian | For 1, 2 or 3 People | Players can use any ways of making sounds | |
| 19 | Wolff, Christian | Duo for Pianists | For 2 pianos | |
| 19 | Wolff, Christian | Duo for Violinists and Pianist | For violin and piano | |
| 19 | Xenakis, Iannis | Anaktoria | For chamber ensemble | |
| 20 | Burge, David | Sources III | For 2 performers | |
| 21 | M-120 | Martin, Vernon | Contingencies |