Document Actions
Don Gillis Compositions D-I
| Title |
Date |
Instrumentation/Genre |
Publication Info. |
Available at UNT |
Notes |
Size |
|---|---|---|---|---|---|---|
| Dallas Baptist Alma Mater (see also Alma Mater Dallas Baptist) | SATB and orchestra | Score; Box # 177 | Full score. | 12.5"x20" | ||
| Dialogue for Trombone and Band | Solo trombone with band | Parts; Box # 108 | Onionskin copies of solo trombone and all band parts. | 11"x15" | ||
| Dialogue for Trombone and Band | 1958 | Trombone solo with piano arrangement | Mills Music, Inc.; New York, New York | Score and parts; Box # 5 | Two complete sets with piano score and trombone part, two extra copies of piano score. | 9"x12" |
| Dialogue for Trombone and Band | 1956 | Solo trombone and band | Score; Box # 184 | Onion skin of full score. | 17.50"x22" | |
| Dilemma | 1965 | S.A.T.B. and Piano | Pride Music Publications, Inc.; New York, New York | Score; Box # 5 | One choral score. | 7"x10.5" |
| Doubting Thomas | Sep-1968 | Sermon in song | Score, parts, and sketches; Box # 6 | Five complete copies and two incomplete copies of score (condensed version). One copy of each instrumental part available. Music sketches also available. | 9.75"x13.25" | |
| Doubting Thomas | 1974 | Sermon in song | Score | Onionskin copy of full score, loose pages. | 13"x20" | |
| Doubting Thomas | 1968 | Notes for script; Box # 6 | Handwritten notes for the script of Doubting Thomas. | 8.5"x11" | ||
| Downbeat from "Band Concert" | 1958 | Band with narrator | Interlochen Press; Interlochen, Michigan | Score and parts; Box # 5 | Two conductor's scores and all parts, some with multiple copies. Also at Library of Congress. |
9"x12" |
| Dude Ranch | Four pianos | Score and parts; Box # 7 | Score and all parts available for all movements. Movements are: I. Genuine Spirit of the Old West With Real Cowboys, II. Only 60 Miles from New York City, III.Gentle Riding Horses, IV. Magnificent Scenery!, V. And a Fiesta Every Night. | 9.5"x12.5" | ||
| Each Monday Night (Opening and Closing themes) | Orchestra with voice | Parts; Box # 108 | Mulitple copies of all parts available. Piano/vocal part is also conductor score. For NBC Monday night broadcasts. Also published by ASCAP. | 9.5"x14.5" | ||
| Encore Concerto | 1956 | Solo and second piano | Score and sketches; Box # 108 | Onionskin copy of score. Sketches plus incomplete score. Dedicated to Joseph Kahn. | 11"x14" | |
| Encore Concerto | 1956 | Orchestra with piano solo | Score; Box # 184 | Onionskin copy of full score, loose pages plus one copy of full score, spiral bound. | 17"x22" | |
| Equitable | 1-Apr-1964 | Orchestra | Score; Box # 177 | One copy of full score, loose pages. | 12"x18" | |
| Equitable Score | Orchestra | Parts and sketches; Box # 7 | Music sketches and all parts. | 9.5"12.5" | ||
| An Etude in Stereophonics | 1971 | Four pianos | Score; Box # 8 | Onionskin copy of score. | 9.5"x12" | |
| Fairy Tales | Piano with narrator | Sketches; Box # 8 | Music sketches for a series of compositions based on fairy tales including: Old Mother Hubbard, Goldilocks, Prince Charming, and Snow White. | 9"x12" | ||
| Fairy Tales | Notes/scripts; Box # 8 | Handwritten notes and stories to be used in the compositions for Fairy Tales. | 8"x12.5" | |||
| Farm Bureau | Film score for orchestra | Score; Box # 108 | Full score, bound. Cover says Farm Bureau Film Score, but first page says Insurance in red pencil. Music is same as parts for Insurance Picture. | 11"x13.5" | ||
| Film music - Section 1 | Orchestra | Parts; Box # 109 | All parts, two copies of Violin II. Same composition as Film music Sections 2 and 3. | 13.5"x9.75" | ||
| Film music - Section 2 | Orchestra | Parts; Box # 110, 111 | All parts, two copies of Violin II. Same composition as Film music Sections 1 and 3. | 13.5"x9.75" | ||
| Film music - Section 3 | Orchestra | Parts; Box # 111, 112 | All parts, two copies of Violin I & II. Same composition as Film music Sections 1 & 2. | 13.5"x9.75" | ||
| Five Acre Pond | Nov-1956 | Oboe solo with strings, percussion, harp, and celeste-piano | Score and parts; Box # 112 | Full score, bound. Multiple copies of all parts. Onionskin copies of full score, parts, and condensed score. | 11.5"x13" | |
| Five Piece Combo from Suite No. 3 for Woodwind Quintet, "Gone with the Woodwinds" | 1957 | Woodwind quintet | Mills Music, Inc.; New York, New York | Score; Box # 8 | Full score only. | 9"x12" |
| Footsie from "Band Concert" | 1958 | Band | Interlochen Press; Interlochen, Michigan | Score and parts; Box # 8 | One complete set with conductor score and all parts, many with multiple copies. | 9"x12" |
| Four Moods in Three Keys | 1935 | String quartet and woodwind quintet | Score and parts; Box # 8 | Full score, bound. Parts for woodwind quintet only. Note says "Re-used as Scherzino for Strings". | 9.5"x12.5" | |
| Four Scenes From Yesterday | Oct 1947-Jan 1948 | Suite for solo woodwinds with orchestra | Score; Box # 113 | Full score, bound. Movements are: I. North Harris, Flute (To Arthur Lora); II. Courthouse Square, Oboe (To Paul Rienz); III. From a Winter's Dream, Clarinet (To Robert McGinnis); IV. Brushy Creek, Bassoon (To Leonard Sharrow). One extra bound copy of the full score for movement III available. | 13.75"x11.25" | |
| A Frolic in B-Bop Major from Suite No. 3 for Woodwind Quintet, "Gone with the Woodwinds" | 1957 | Woodwind quintet | Mills Music, Inc.; New York, New York | Score and parts; Box # 8 | One complete set with full score and all parts. | 9"x12" |
| The Gift of the Magi | Christmas opera for chamber orchestra, chorus, and three soloists | Score, parts, and sketches; Box # 9, 10, 11, 113, 114, 177 | Four copies of full score, two bound, one in sections. Few pages of music sketches. Seven copies of choral/piano score, including originals and several incomplete copies; three are bound. One folder of "inserts" of music for parts and score. Copies and onionskin for all parts. |
8.75"x11", 9"x12" & 11"x13.5" |
||
| The Gift of the Magi | 1964 | Christmas opera | Treasure Music Publications; Dallas, Texas | Score; Box # 11, 12, 13 | Twenty-nine copies of choral/piano score, many with publisher information taped over. | 8.5"x11" |
| The Gift of the Magi | 1964 | Script; Box # 8 | Four copies of script for The Gift of the Magi, based on the story by O. Henry. | 8.5"x11" | ||
| The Good Samaritan | 1976 | Orchestra with narrator | Score and parts; Box # 178 | Three copies of full score, two bound. All parts available, percussion and strings with multiple copies. | 10"x13" & 13.5"x20" | |
| Great Big Nation | SATB choir and piano | Score; Box # 115 | Lyrics by Gillis and Orvill Purdy. Eight copies of piano/choral score available. | 11"x14" | ||
| Happy Jack | Chamber orchestra and narrator | Score and parts; Box # 115 | Two copies of full score, bound. Based on Thorton W. Burgess nature stories. Script and narration by John Rust. All parts available except narrator. | 11.5"x13.25" | ||
| Happy Jack | Script; Box # 115 | Script for Happy Jack. | 8.5"x11" | |||
| Here's to Good Old Football | 1957 | Band | Mills Music, Inc.; New York, New York |
Score and parts; Box # 14 |
Two complete sets, each with conductor's score and all parts. Six copies of vocal/piano score. From the opera "Pep Rally". | 7"x10.5" & 9"x12" |
| His Name Was John | 1971 | Orchestra with narrator | Score and parts; Box # 116 | Three copies of full score, two bound. All parts available, percussion and strings with multiple copies. | 10"x13" & 13.5"x20" | |
| How Long, Since? | 1964 | S.S.A. choir and Piano | Pride Music Publications, Inc.; New York, New York | Score; Box # 14 | Three choral scores. | 7"x10.5" |
| Hucbald Visits the Vet | Script; Box # 14 | One typed script. Accompanying notecard: "Script by Don Gillis, Sr. Music by Don Gillis Jr. This was the only time they worked together musically". | 8.5"x11" | |||
| Hucbald Visits the Vet (by Don Gillis, Jr.) | "A Magic Giant Story for Television performance by puppets and people" | Score; Box # 116 | Photocopy of full score. Accompanying notecard: "Script by Don Gillis, Sr. Music by Don Gillis Jr. This was the only time they worked together musically". | 11"x17" | ||
| Hymn and Prayer for Peace | 1967 | SATB choir and piano | Score; Box # 116 | One copy of score. | 10.5"x13.5" | |
| Hymn and Prayer for Peace | 1958 | Mixed choir | Don Gillis; Forest Hills, New York | Score; Box # 14 | 142 copies of score. | 9"x12" |
| Hymn and Prayer for Peace | 1968 | S.A.T.B. and Piano | Fema Music Publications; Chicago, IL |
Score; Box # 14 |
Two copies of score (revised in 1966 from earlier version). | 7"x10.5" |
| Hymn Song | 14-Sep-1974 | Mixed choir | Score and sketches; Box # 14 | Onionskin copy plus transparency of score, and sketches. | 9.5"x12.5" | |
| Hymn Song for Sunday | 1963 | Band | Bourne Co.; New York, New York | Score and parts; Box # 14, 185 | One complete set with full and conductor scores and all parts, many with multiple copies. Full band score. | 9"x12" & 17"x22" |
| In dir is Freude (Choral - Gustolde, 1571; Variations - Bach; Arr. - Don Gillis) | Band with string bass | Score and parts; Box # 116 | Two copies of score, one bound and one on loose paper. All parts are copies on loose paper, most on onionskin. All parts available. Five copies of Clarinet II part. | 13.5"x10.5" | ||
| Instant Music: An Experience in Group Creativity | 1966 | Band, orchestra, or ensemble | Frank Music Corp.; New York, New York | Score and parts; Box # 15 | Complete set with conductor score, lesson plan, and all parts. From the series "Adventure in Form". | 9"x12" |
| Instant Re-Play | 1975 | Opera |
Score and parts; Box # 15, 16, 17, 18 |
Four copies of piano/vocal score. Copies plus onionskin of all instrumental parts available. | 8.5"x11" | |
| Instant Re-Play | 1975 | Multimedia with orchestra | Score; Box # 179, 180 | Onionskin of full score, loose pages plus one copy, bound, each Act separate. | 13"x20" | |
| Instant Re-Play | Libretto, script, notes, and sketches; Box # 19 | Handwritten notes and libretto, four typed libretto and scripts, hand drawn stage sketches, loose and stapled/paperclipped. | 8.5"x11" | |||
| Insurance Picture | Orchestra | Parts; Box # 19, 20 | All parts, two copies each of Violin I & II. Parts on loose paper bound with tape. | 9.5"x12.5" | ||
| Intermission - Ten Minutes | Orchestra | Score; Box # 180 | One copy of full score, spiral bound. | 11.5"x17" | ||
| It's a Beautiful Place to Be! | 1972 | Piano/solo voice | Score; Box # 20 | Two copies, one bound together with a staple and one onionskin in loose pages. | 9.5"x12" | |
| It's a Beautiful Place to Be! | AATT and ensemble | Score; Box # 185 | Loose pages. | 15.5"x15.5" |
